Post-production
One team, one seamless pipeline, from the first card offloaded on set to the final master signed off.
The difference between a production that finishes on time and one that spirals is rarely talent. It is the pipeline behind it.
We run the whole post-production chain as one continuous workflow, so nothing falls through the gaps between departments and no one waits on a handover that never comes.
DIT with Media Storm
- Media Storm, our own DIT software: reporting, copying, MD5 checksums, proxy transcoding and audio syncing in one interface
- Footage secured the moment it comes off the camera
- Redundant backups across multiple destinations
- Rigorous QC on set, catching problems while the crew can still fix them
One roof, one workflow
- Traceable media and clean proxies, so editorial cuts straight away
- Edit-suite hire
- Colour grading, shot by shot to the intended look
- Visual effects, in lockstep with the cut
- Cinema mastering on our own Storm software
- Encrypted, time-limited screeners
In spec, first time
- Theatrical DCP for playback
- Streaming and broadcast masters (iTunes, Netflix, Amazon and more)
- Quality-control checks, digital and visual, with full reports
- Encoding and transcoding to and from any format
- Audio and visual error repair, plus LTO archiving
A decade of mastering behind every delivery, so your film arrives in spec, on format, and ready to screen anywhere in the world.
Plan your post
Bring us in early and we will map the whole path, from set to screen.
Post-production, common questions
What does a post-production house do?
A post-production house takes a film from the footage shot on set through to the finished masters. That covers data management, editorial support, colour grading, visual effects, picture finishing, cinema mastering and delivery to cinemas and streaming platforms.
Can you handle the whole pipeline from set to final master?
Yes. We run the full chain as one continuous workflow, starting with DIT on set and ending with tested DCP and streaming masters, so nothing is lost in the handovers between departments.
What deliverables can you provide?
Theatrical DCPs, streaming and broadcast masters for platforms like Netflix, Amazon and iTunes, encrypted screeners, and archival LTO. We deliver in spec and provide full QC reports.
Do I have to use every service, or can I book just one?
You can book any single service, such as a grade, a DCP or a VFX shot, or hand us the whole project. Either way you get the same pipeline and QC behind it.
When should I bring you in?
As early as possible. Planning the post path before the shoot lets us set up media, proxies and delivery specs correctly from day one, which saves time and cost later.